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For sheer drama, volume four reaches new heights in this innovative series. It pairs Paul Patterson’s expressionistic language with the vitality of the 1962 Harrison & Harrison organ in Coventry’s cavernous cathedral. From the opening bars of Tsunami, this is music and playing that grabs us by the ears and whisks us on a journey of vivid intensity. The aleatoric nature and graphic score of Games (1977) involves the player in constant invention; here two different interpretations are presented. In this piece Bonaventure explores outlandish stop combinations which expand the scope of the music. His playing is virtuosic, the music fascinating.

MATTHEW POWER Read the full review on Agora Classica


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