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Mints has a formidable technique, and throws himself at these hugely taxing works with abandon. What is less persuasive is Mints’ concept of ‘Spacial Orchestration’ (which here he ‘premieres’): different pieces, or even phrases within pieces, have different microphone placings. The succession of different acoustics is distracting and adds nothing to the disc.

Guy Weatherall Read the full review on Agora Classica


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