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Electrifying playing from the LPO, even if there are earthier, more debauched performances on record. Choral contributions are on almost as high a level, and soloists are mostly apt: Andrew Kennedy’s roasting swan, for instance, is clearly in great pain! Recorded sound is natural and reflects the RFH acoustic, without astonishing the ears.

Guy Weatherall Read the full review on Agora Classica


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