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Daring to do on disc what most groups reserve for live events proves how lush 16th-century polyphony sounds after a lengthy stretch of Gregorian chant. Herein an Office of Compline for Passiontide, elegantly and tautly sung without egotism, precedes a gorgeously sonorous reading of the Lamentations, a spiritually sensuous treat, startlingly impactful after the monody. Dark-toned lower voices underpin sinuously focused higher lines with excellent balance and breadth. No nuance is neglected in an interpretation that occasionally indulges in wickedly enjoyable, almost romantic excess.

REBECCA TAVENER Read the full review on Agora Classica

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