horizontal line

Haunting Electric Counterpoint, Six Marimbas Counterpoint and Vermont Counterpoint scores for percussion and over-dubbed tape, and performing all parts herself. If anything, the arrangements make even clearer the originals’ rich textures, highlighting the intricate counterpoint without sacrificing too much tonal variety. Sounds equally superb in stereo or SACD surround sound.

GUY WEATHERALL Read the full review on Agora Classica


   Read full review   


To continue reading, please upgrade to a premium account. You will have immediate full access.



Read more classical music reviews online here:



Classical Music, 2011 - ©Rhinegold Publishing