horizontal line

Purcell’s music was composed to complement a performance of a bowdlerised A Midsummer Night’s Dream, a sort of late seventeenth-century mashup, and as such leaves us with a problem. To perform it with the play would make for an overly long evening; to perform it without, as a series of nine masques, leaves us with no core narrative. David Pountney’s 1995 production for ENO eschews the play and retains the music, which he uses to create his own version of the play, so the basic story is told. He captures the madness of the original with a bravura staging, performed with gusto by a large ensemble. The wit and inventiveness are

Francis Muzzu Read the full review on Agora Classica


   Read full review   


To continue reading, please upgrade to a premium account. You will have immediate full access.



Read more classical music reviews online here:



Opera Now, 2015 - ©Rhinegold Publishing