horizontal line

Grumiaux’s Philips (now Decca) studio recordings have long been benchmarks for insight, probing depth and tonal beauty. These 1966 Schwetzingen Festival performances make a fascinating and valuable pendant: they revel in the youthful invention of Beethoven’s first trio, while the big Mozart E flat Divertimento is lithe and deeply moving. The 1960s radio sound is astonishingly good.

GUY WEATHERALL Read the full review on Agora Classica

   Read full review   

To continue reading, please upgrade to a premium account. You will have immediate full access.

Read more classical music reviews online here:

Classical Music, 2015 - ©Rhinegold Publishing