horizontal line

Memories should still be fresh of Gergiev’s epic Prom survey of all five Prokofiev concertos in one night. As then, Volodin and Babayan acquit themselves with élan, making both problematic scores come alive, ably supported by the Mariinsky Orchestra (a shade less virtuosically than the LSO). Neither, however, displaces the best of the competition, such as Ashkenazy/Previn (Decca) or more recently Bavouzet/Noseda (Chandos). Gergiev adopts some wayward tempi throughout, for instance in the hectically torrential central Toccata of No 5, or in the three symphonies, where he is markedly slower than in his much-praised LSO cycle – catastrophically so in the opening Allegro moderato of No 6, which loses all impetus. Clear recorded sound, but this is not a front-runner for any of the repertoire.

GUY RICKARDS Read the full review on Agora Classica


   Read full review   


To continue reading, please upgrade to a premium account. You will have immediate full access.



Read more classical music reviews online here:



Piano International, 2016 - ©Rhinegold Publishing