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Ruders’ latest might appear to be his most conventional; yet its three-movement, fast-slow-fast format and immediately appealing soundworld belie a visionary quality reminiscent of Sibelius at his best. It feels like a force or nature – indeed the initial inspiration was active volcanoes on the Pacific Ring – and repays repeated listening. Performance and recording are exemplary, but that this 26-minute piece is issued without a coupling is nothing short of a disgrace.

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