If this altmodisch style appeals, do indulge in Regina Coeli wherein the Regensburger Vokalsolisten, Motettenchor, and Männerchor ehemaliger Regensburger Domspatzen celebrate music composed for their eponymous Alte Kappelle. Late 16th-century Masses by Suriano and Aichinger, plus 19th-century pastiche from Michael Haller, preserve Palestrina-esque polyphony as a fly in amber.
REBECCA TAVENER
Read the full review on Agora Classica
To continue reading, please upgrade to a premium account. You
will have immediate full access.