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If this altmodisch style appeals, do indulge in Regina Coeli wherein the Regensburger Vokalsolisten, Motettenchor, and Männerchor ehemaliger Regensburger Domspatzen celebrate music composed for their eponymous Alte Kappelle. Late 16th-century Masses by Suriano and Aichinger, plus 19th-century pastiche from Michael Haller, preserve Palestrina-esque polyphony as a fly in amber.

REBECCA TAVENER Read the full review on Agora Classica

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