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Leila Josefowicz is a great champion of the music of John Adams, and perhaps there is an element of her as his muse; her premiere of Adams’ 50-minute Scheherazade 2, with the LSO under the composer, was one of the highlights of the 2016/17 London season.

Here, though, we have the 1993 violin concerto. The quarter-hour first movement of the concerto never seems to let up; Adams avoids crowding the listener through a sense of unstoppable momentum. The second movement is a chaconne, ‘Body through which the dream flows,’ shot through with aching lyricism. Josefowicz is capable of the sweetest, most poignant tone; subtle dissonances unsettle the listener. Adams ensures the sense of depth and space a chaconne implies, peppered with background references to minimalism. The finale, Toccare, finds the immediacy of the recording drawing the listener in as much as the virtuosity on display.

COLIN CLARKE Read the full review on Agora Classica

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