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Vibrant, searching performances from this exciting young period-instrument quartet. If Alina Ibragimova is the best-known of the four, her colleagues yield nothing to her in virtuosity or insight, and the ensemble playing is little short of remarkable: the Beethoven second movement has rarely sounded so haunting, the Mozart finale so exuberant.

GUY WEATHERALL Read the full review on Agora Classica


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