horizontal line

Tom Winpenny continues his impressive Messiaen cycle with the 1969 Méditations. This large nine-movement work marked a turning point for the composer after the austerity and experimentalism of the 1950s. Although the genesis of this work was a series of improvisations to mark the centenary of Messiaen’s own church in Paris, La Trinité, the first performance was held in Washington, D.C. I cannot help feeling that the well-travelled Messiaen would have approved of the Klais organ in the Icelandic capital. It renders all the colours with forthright clarity and an atmospheric resonance heightened by Winpenny’s thoughtful pacing. Rounded offwith Winpenny’s well-judged sleeve notes, this series of Messiaen recordings just gets better and better.

RUPERT GOUGH Read the full review on Agora Classica

   Read full review   

To continue reading, please upgrade to a premium account. You will have immediate full access.

Read more classical music reviews online here:

Choir & Organ, 2019 - ©Rhinegold Publishing